![]() In addition, Margaret Cohen co-edited two collections of scholarship on the European novel: The Literary Channel: The Inter-National Invention of the Novel with Carolyn Dever (Princeton: Princeton University Press, 2002), and Spectacles of Realism: Body, Gender, Genre with Christopher Prendergast (Minneapolis: University of Minnesota Press, 1995). ![]() She is also the author of Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution (Berkeley: University of California Press, 1993) and The Sentimental Education of the Novel (Princeton: Princeton University Press, 1999), which received the Modern Language Association's Aldo and Jeanne Scaglione prize in French and Francophone literature. Gottschalk Prize from the American Society for Eighteenth-Century Studies and the George and Barbara Perkins Prize from the International Society for the Study of the Narrative. Her The Novel and the Sea (Princeton: Princeton University Press, 2010) was awarded the Louis R. Margaret Cohen’s most recent book, The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy, will appear in April 2022 with Princeton University Press. A Chronology and Selected Bibliography are also included. 'Criticism' includes sixteen studies regarding the novel’s central themes, twelve of them new to the Second Edition, including essays by Charles Baudelaire, Henry James, Roland Barthes, Jonathan Culler, and Naomi Schor. The novel’s subversion of conventional moral norms inevitably created controversy and eventually led to Flaubert’s prosecution by the French government on charges of offending 'public and religious morality.' This Norton edition is the only one available that includes the complete manuscript from Flaubert’s 1857 trial. In Madame Bovary, Flaubert created a cogent counter discourse that exposed and resisted the dominant intellectual and social ideologies of his age. ![]() ![]() In addition, Cohen has added to the Second Edition a new introduction, substantially new annotations, and twenty-one striking images, including photographs and engravings, that inform students’ understanding of middle-class life in nineteenth-century provincial France. Margaret Cohen’s careful editorial revision modernizes and renews Flaubert’s stylistic masterpiece. ![]()
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